japanese
Ambiguity in forms of modern landscape design in the United States of America
- Objective
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Ambiguity, which means several ways of formal interpretation from one space is possible, is to be clarified in forms of modern landscape works.
- Object
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Early works of Thomas D. Church, Garrett Eckbo, James C. Rose, Danniel Urban Kiley
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What is ambiguity of form? →
- Result
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Simultaneous ambiguity of literal transparency →
Simultaneous ambiguity of phenomenal transparency →
Sequential ambiguity with walking through space
Diachronic ambiguity as time goes by
- Papers
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MURAKAMI, S. (2011) A Study on Dan Kiley's Spatial Composition of Trees at Gardens in Hollin Hills Residential Project, Journal of the Japanese Institute of Landscape Architecture (On Line) 4:53-56
MURAKAMI, S. (2003) Research on Ambiguity of Form in Early Works of Garrett Eckbo, Journal of the Japanese Institute of Landscape Architecture 66(3)：238-245
MURAKAMI, S. (2002) Ambiguity in the Spatial Forms of Thomas Church's Gardens, Journal of the Japanese Institute of Landscape Architecture 65(5)：401-406
MURAKAMI, S. (2001) Ambiguity in Form of James C. Rose, Journal of the Japanese Institute of Landscape Architecture 64(5)：501-506
MURAKAMI, S. (2001) The Influence of Modern Art upon Spatial Theory of Garrett Eckbo, Journal of the Japanese Institute of Landscape Architecture 64(4)：352-359
MURAKAMI, S. (2000) Analysis and Consideration of the Discussions on the Influence of Modern Art upon American Landscape Design, Journal of the Japanese Institute of Landscape Architecture 63(5)：413-418
MURAKAMI, S. (1998) A Comparative Analysis of Two Abstract Expressions: An Early Cubist Painting and a French Modernist Garden, Journal of the Japanese Institute of Landscape Architecture 61(5)：445-450
